• Emilio Santoro

    Pencil, colouring pencil, charcoal, pastel, ink, gouache and watercolour with collage on paper
    295x418mm
    2018

    (Elvis x 20) + (Tom x 1)

  • Halfboy and Halfsister

    Oil, sheeps wool, zebra wood, wire and mixed media on linen
    1204x1004mm
    2018

    HALFBOY

  • Burnt fucking house

    Burnt Fucking House

    Oil on linen
    400x600mm
    2015

    2015/2016 I

  • Great Yarmouth

    Oil on linen
    750x550mm
    2015

    2015/2016 II

  • J.K.Rowling (side view)

    Oil and mixed media on board and 3D assemblage
    720x972mm
    2005

    Portraits

  • If we make it Through December

    If We Make It Through December

    Oil on found panel
    475x290mm
    2010

    I Remember You

  • Maze

    Maze

    Video still
    2010

    Maze

  • The Tiger's Bride

    Oil on linen
    400x600mm
    2014

    The Tiger's Bride

  • The Spectre of Brave Alonzo

    Ceramic earthenware, ceramic stoneware, steel, fibreglass, ink, acrylic, bull's blood and mixed media
    680x950mm
    2013

    Love and Death

  • Teardrops Can Never Drown the Flame

    Teardrops Can Never Drown the Flame

    Oil, flock and pearls on linen
    1000x1350mm
    2008

    Together in Electric Dreams

  • Lonesome Stu

    Lonesome Stu

    Charcoal on paper
    180x180mm
    2010

    Lonesome Stu and the Gearshifters

  • Knight's Tale (still from the film)

    Performance
    2006

    Knight's Tale

  • Dido and Aneas - Set Building
    Dido and Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Set Building
    Dido & Aeneas

    Set Building, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

  • Dido & Aeneas - Performance
    Dido & Aeneas

    Performance, 2013

Dido & Aeneas

Dido & Aeneas, the short opera by Henry Purcell, was performed in a Grade II listed Georgian barn in Jevington, Sussex by soprano Sally Matthews and her husband Finnur Bjarnason in 2012. The project began as an ambititious and hubristic 60th birthday celebration of the Musical Director Leslie Bunt whose sister-in-law owned the barn and was best friends with Sally and Finnur.

It was one of those projects that was created by a dedicated team of friends purely for the fun of it. Through it, Stuart had his first opportunity to design and build a theatrical set. Theatrical spaces have always been a signature in Stuart’s work but this was the first time he created an actual set. The whole project happened over a two week period from start to finish. There were two performances.